"Kronos's point of view"

Vesod - Oil on canvas with deconstructed frame, 72X22cm, 2015

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  • Vesod - Oil and thread sewn on canvas, 120X74.5cm, 2015
  • Vesod - Oil and thread sewn on canvas, 130X70cm, 2015
  • Vesod - Oil on canvas with deconstructed frame, 72X22cm, 2015
Type of work Original artwork
Year of creation 2015
Medium and technique Oil painting
Support Linen canvas mounted on a wooden stretecher frame (with tigntening keys) and wood painted pieces creating an unstructured frame
Unframed size Height : 60cm / Width : 20,3cm / Depth : 3,5cm
Overall size Height : 72cm / Width : 22cm / Depth : 3,5cm
Framing Deconstructed frame made of painted wood sticks
Certificate of authenticity Yes (sent with the artwork and hand signed by the artist) Warning ! Exceptionally, the document will be sent within two weeks in a separate envelope
Authenticity Hand signed by the artist, signed on the lower left side
Hanging solution Ready to hang artwork : no specific hanging device required due to the very low weight of the piece
Weight 0,8kg
Shipping Delivered within 10 - 15 working days with DHL
Packaging Packed in secure custom wooden crate to ensure preservation and conservation of your artwork during shipment
Shipment insurance Yes, we offer full value insurance coverage on every shipment

BORN IN 1981 IN TURIN (ITALY), LIVES AND WORKS IN VENARIA REALE, TURIN (ITALY). 
Movement : GRAFFUTURISM.
Type OF interventions : CANVAS, MURALS, site specific installations.


vesod


TEMPORAL FRACTION


Vesod has the capacity to assimilate opposites that exacerbates the founding principles of his pictorial identity. Emotions are suspended and can be read in a structured narration that can be captured at one glance; the scenario unfolds through the nervous intensity of a static composition. The artist delivers himself with reserve and benevolence. This softly meant introspection is the witness of a cathartic approach, which rewards the creation with a deep liberating dimension. The almost visceral dynamic ensued from it transposes a need to exteriorize the instinct, the primal side, the emotion in the rough. Contentment and serenity, violence and vertigo, the subjects often near the excess to better transcribe the outline and its successive actions.


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