"Last triad part II"

Aurel Rubbish - Hand-embellished giclée print with red gold leaf, 62X44cm, 2015

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  • Aurel Rubbish - Hand-embellished giclée print with red gold leaf, 62X44cm, 2015
  • Aurel Rubbish - Giclée print hand-embellished with moon gold leaf, 62X44cm, 2015
  • Aurel Rubbish - Original paper-cut out hand-embellished with platinum gold leaf, custom-handmade framing, 67X60cm, 2015
  • Aurel Rubbish - Custom framed 2 colors silkscreen print (black / gold), 105X75cm, 2014
Type of work Multiple : Limited edition of 40 + 3 artist's proof
Support moab entrada 290 gsm archival cotton rag paper
Medium and technique Giclée PRINT HAND-EMBELLISHED WITH RED GOLD LEAF 23.75 karats (Dauvet)
Year of creation 2015
Overall size HEIGHT : 62.5 CM / WIDTH : 44 CM
Edition number Edition number : 4/40
Certificate of authenticity Yes (sent with the artwork and hand signed by the artist)
Authenticity Hand-signed, dated, numbered and titled in pencil by the artist, stamped by the artist’s personal seal on the front
Shipping Delivered within 5 - 10 working days with Colissimo (La Poste) to France or within 10 - 15 working days with DHL to European and international destinations
Packaging Packed in rigid cardboard postal tube to ensure preservation and conservation of you artwork during shipment
Shipment insurance Yes, we offer full value insurance coverage on every shipment

born in 1981 in BESANÇON (France), lives and works in  BesanÇon (france).
Movements : PAPER-CUT, street art.
Type of interventions : IN SITU installation works, PAPER-CUT on different media and surfaces.




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Between the meticulousness of the ornamental details and the dramatic intensity of the subjects staged, Aurel Rubbish has created himself a troubling universe, tense, filled with paradoxes. Having a definite predilection for paper, his approach is built around the paper-cut technique (work consisting of chiselling the paper to reveal a composition). Each one of his artwork comes out of thousands of handmade cuttings placing patience up to the rank of unconditional necessity, before they lets us catch a glimpse of the expressiveness of a face or the details of an organic element. The simplicity of the paper is upgraded by the accuracy of the cuttings and the addition, here and there, of gold leaves, turning the humble support into a subtle and complex art piece. 

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